During the 1930s and ‘40s it was considered junk jewelry. But today, as Pamela Wiggins Siegel explains, costume jewelry is loved by collectors as "sparkling treasures." Fun and affordable, costume jewelry offers an inexpensive means to make any fashion statement.
Jewelry's role in history can be undervalued. Antique Trader contributor Dr. Anthony J. Cavo teams up with Nancy Schuring, of Devon Fine Jewelry, to examine the sustainability of Georgian period jewelry.
This article is written by renowned jewelry expert and author, C. Jeanenne Bell, G.G., and is an excerpt from the just-published new edition of Answers to Questions About Old Jewelry, 8th Ed. One of my favorite sections in the article appears near the beginning, where Bell states: “The jewelry of the 1860s and ’70s is best described as heavy, massive and solid. Massiveness was equated with well made and sturdy. The bigger a piece of furniture or jewelry, surely the better it must be. Colors were also visually heavy. Rich red velvets covered not only furniture and windows, but also ‘maladies’ as well. The feeling of opulence was everywhere.” To learn more about the societal and faenvironmentshion impacting jewelry of this time period,
Legendary collection of vintage shooting gallery targets takes center stage at Soulis Auctions in September. Early collectors Richard and Valerie Tucker embraced the targets, calling them 'iron as art.'