Put on the Mask! The Trippy 1961 3D Horror Film That Became a Cult Classic

A psychedelic skull prop cements The Mask as a cult classic.

For horror fans of the 1960s, this mask is well-remembered for haunting their nightmares.
Image courtesy of Heritage Auctions

When The Mask debuted in 1961, audiences were handed cardboard “Mystic Masks” and ordered by the film’s narrator to “Put on the mask!” whenever the screen’s protagonist slipped on his eerie ritual skull. What followed were surreal, nightmarish sequences in garish 3D—fiery skulls, slithering snakes, and twisted faces that looked more like fever dreams than fright scenes. Marketed as Canada’s first feature-length 3D horror film, The Mask was dismissed by critics as a gimmick at the time. But the sheer oddity of its audience-participation sequences and psychedelic imagery ensured that it would later be embraced as a cult classic.

Decades on, the film’s reputation has only grown. A 2015 restoration at the Toronto International Film Festival reintroduced audiences to its lurid, trippy visuals, confirming its place in the pantheon of cult cinema. Horror fans and film historians alike now view The Mask as a fascinating artifact of early ‘60s genre filmmaking—a mix of mid-century horror camp and proto-psychedelia.

Collectors have also taken note. Heritage Auctions recently sold one of the film’s original mosaic skull ritual masks for $27,500. Constructed of fiberglass with metallic paint and a hinged jaw, the mask’s jeweled effect was as dazzling as it was disturbing. While the film may never have rivaled Hitchcock for scares, its unforgettable mask has secured its legacy in horror history—and proved that even the strangest cinematic experiments can find new life in the collectors’ market.

You may also like:

Kele Johnson is the Editor of Kovels Antique Trader Magazine and the Digital Content Editor of Active Interest Media's Collectibles Group. She admits to a fondness for mid-century ceramics, uranium glass, novelty barware, and Paleoindian projectile points. Kele has a degree in archaeology and has been researching, writing, and editing in the collectibles field for many years. Reach her at kelejohnson@aimmedia.com.