Vintage Posters: Passionate bidding results new records

A mammoth auction of vintage posters on Aug. 1 set at least six auction records. Including a new high price for a poster illustrating San Francisco's Sutro Baths.
Author:
Updated:
Original:

NEW YORK — A mammoth auction of vintage posters on Aug. 1 set at least six auction records. Including a new high price for Sutro Baths. The text-free variant of the 1896 poster, promoting a former San Francisco landmark, brought $23,400. The exhibition for Swann Galleries’ annual summer auction of vintage posters was overflowing.

Alphonse Mucha Times of the Day posters

Alphonse Mucha, “Times of the Day,” group of four, 1899, $40,000.

Alphonse Mucha’s Times of the Day was the top lot of the vintage posters auction. They sold to an institution for $40,000. Other Mucha works received significant attention from collectors. Bières de la Meuse, 1897, sold for $17,500 over an $8,000-$12,000 presale estimate. And Salon des Cent, 1896, brought $10,000.

The sale set a record price for Peter Behren’s Der Kuss, 1898, a color woodcut published by Pan magazine, at $5,000. Other Art Nouveau highlights included Marcello Dudovich’s 1908 design for the Italian department store Mele ($6,500).

Food & Drink Posters

Carnaval poster

Leonetto Cappiello, “Carnaval / Vinho do Porto” 1911, $18,750.

The auction offered an unusually broad selection of food and drink posters. Sections were devoted to Leonetto Cappiello and Luciano Achille Mauzan. The former’s Carnaval / Vinho do Porto, 1911, brought $18,750. Manuel Orazi’s Ligue Vinicole de France, 1901, brought a record $10,625. It is an elegant image positioning wine as the wholesome answer to the modern world’s ills.

Ludwig Hohlwein’s Kathreiner Weine, 1913, was purchased by an institution for $4,750. As a firm counterargument to the virtues of a perfectly aged bottle of wine, a group of 20 small-format posters issued by the American Temperance Society sold for $2,125.

Wartime propaganda posters

Keep Calm and Carry On poster

“Keep Calm and Carry On,” designer unknown, 1939, $12,500.

Wartime propaganda, for which these vintage poster sales are known, included both marketplace mainstays and surprises. Among top lots were perhaps the two most iconic posters in the world. The first: James Montgomery Flagg’s I Want You brought $10,000. The second: The anonymously designed Keep Calm and Carry On sold for $12,500. It is a 1939 image from Great Britain’s propaganda efforts in WWII.

Soviet Constructivist images performed well. Posters by Gustav Klutsis and Nikolai Andreevich Dolgorukov were among the top lots ($9,375 and $6,750, respectively). Two posters designed by Arthur Szyk in the 1940s for the war effort, encouraging American soldiers to “Fool the Axis – Use Prophylaxis,” sold for $4,750 and $4,000, new auction records over estimates of just $800 to $1,200 apiece. 

Nicholas Lowry, Swann Galleries’ president and director of Vintage Posters, noted that “the results were representative of the kind of poster passion that has driven the success of these auctions over the last two decades. As is usual in our August sales, WWI and WWII propaganda and Art Nouveau performed well. But unexpected highlights also indicate a buoyant market for psychedelic, protest, artist and exhibition posters.”

Swann Galleries holds at least five auctions of vintage posters each year and is currently accepting quality consignments for auctions in 2019. Visit www.swanngalleries.com or email posters@swanngalleries.com for more information.

Sutro Baths poster

“Sutro Baths,” designer unknown, 1896, $23,400.



AntiqueTrader.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com and affiliated websites.

Weekly Showcase

Cast-iron shooting gallery target

Classic Shooting Gallery Targets

Legendary collection of vintage shooting gallery targets takes center stage at Soulis Auctions in September. Early collectors Richard and Valerie Tucker embraced the targets, calling them 'iron as art.'